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بحث در مورد اينكه "آيا در كتاب 7 هري خواهد مرد يا نه" همچنان ادامه دارد. پروفسور جیمز کراسنر استاد ادبيات انگليسي دانشگاه ایالتی نیو هامپشیر (New Hampshire) اظهار داشت که امكان ندارد هری پاتر در کتاب هفت بميرد. این استاد دانشگاه افزود: دليل اصلي من براي اينكه هري نخواهد مرد اين است كه رمان هري پاتر مثل رمان های چارلز دیکنز، داستاني براي سرگرمي هست و از سبک رمانهای انگلیسی قرن نوزده پیروی میکند كه خوبي بايد در آن پيروز شود. وي در ادامه به مقايسه سبك نوشتاري رولينگ و ديكنز پرداخته و در نهايت عنوان كرده است: لرد ولدمورت نيز بايد بميرد. اسنيپ كه برخلاف ظاهرش، تمام تلاشش را براي پيروزي خوبي انجام ميدهد نيز خواهد مرد. به نظر من نويل لانگ باتم منجي واقعي ميباشد و او نيز خواهد مرد.

منبع
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[en]
There has been another entry in the continuing debate over whether Harry will live or die in Book Seven; this time from a British Victorian Literature expert. Professor James Krasner of the University of New Hampshire states "There's no way Harry will die,” he says. “Harry won't die largely because these are comic stories, like Dickens' novels, in which good has to win.” Professor Krasner goes on to relate the work by J.K. Rowling to those common in other British literature.
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[en]
"Rowling employs the genre of British Private Boy School novels, a popular writing style of 19th century Britain but one that may be unfamiliar to most Americans. The classic novel of this genre is Tom Brown's Schooldays, set in the Rugby School for Boys. “The stock characters in these stories are very similar to those in Harry Potter. There's the serious, good-hearted hero from a modest background, the obnoxious aristocratic kid who lords it over everyone, and the nebishy friend to the hero. The stories tend to focus on rugby games (Quidditch games in Harry Potter) and pranks that take place in the dorms after the lights go out,” Krasner says.

“Rowling's books are very well written, and we're lucky to be around to see them created. Her particular talent is plotting and comic characterization. She's a lot like Dickens in that she does such a good job with comedy, and with predictable plotlines, that she can move into tragedy, and complexity, rather than starting with a tragic mode.”
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